I feel as though we should slip into one of those heavy,
latex aprons we wore in biology class.
Ick…I can still smell the formaldehyde.
Last week, we tossed out some opening lines. This week, we’ll start to dissect them to see
what work and what does not.
As it was with the unfortunate frogs in class, there was no
better way to start than simply diving in…
“No one could have foretold
how it was going to end. Not even the
murderer.” - Murder for Christmas by
Francis Duncan.
I was in Barnes and Noble randomly eyeballing books when I
stumbled upon this one. I LOVED it. I wasn’t planning on purchasing any that
particular day, but once I read that opening line the book never returned to
the shelf. As I recall, I actually raced
about the store looking for Cliff so I could read it to him. I half suspect I looked like a contestant on
The Price is Right who was just summoned to contestant’s row.
What makes it work?
While not providing a great deal of specific details, it plays upon your
curiosity. Had it simply read “No one could have foretold how it was going
to end.” and stopped there, it wouldn’t work. It would simply sound like a line the late
Don LaFontaine would fire off during a trailer for the latest summer
blockbuster. It’s the little jewel
tacked on to the end where the magic happens – “Not even the murderer.”
Ooo…suddenly it’s kicked up a notch.
Clearly this isn’t a cut and dry murder.
SOMETHING goes awry. You have to
read on to find out what that something is.
“Our troubles began in
the summer of 1914, the year I turned thirty-five.” – Girl Waits With Gun by
Amy Stewart.
What makes it work?
You instantly get a year action takes place and age for narrator right
out of the gate. You know it involves
others from the “Our” and continuous
action from “troubles” – plural. We also know that it was summertime. Amy is able to convey a great deal of
information in a single sentence. As you
continue on, the seeds planted in the opening line blossom. An excellent way to kick off an adventure!
“It was five o’clock
on a winter’s morning in Syria.” – Murder on the Orient Express by Agatha
Christie.
Why it doesn’t work for me?
First of all, let me say that I know this is Agatha Christie. She’s only been outsold by The Bible and
William Shakespeare so she clearly she knows how to write. I want to enjoy her work. I feel as though I should enjoy her
work. Yet, sadly, I’m put off by the
pacing. I recall being at book club one
evening and hearing an audible gasp from those around the table at the mention
of not enjoying Christie.
Hear me out. From the
line, I see it is 5:00. It’s winter.
And we’re in Syria. I’m not
feeling any pull or intrigue to continue.
I realize the vagueness of the line could lead to any number of
possibilities, but this one truly left me lacking. It’s a slow open to me – which leads to my
larger challenge in reading her work – the pace. Perhaps back when readers didn’t have a
million television channels and the internet to choose from, a lovely – and
slow burning – read was just what the doctor ordered. Like the opening line, I often find her
stories taking the long way around. I’d
be curious for your thoughts and feedback on this one.
“There was going to be
a funeral.” – The Magpie Murders by Anthony Horowitz.
What makes it work?
It’s an ambiguous first line. Is
there going to be a funeral in the sense of someone has already died and a
funeral has been planned. Or something
more…sinister. Perhaps no one has died
yet, but a funeral is certainly on deck for someone. This certainly doesn’t pack the detail that
some of the others we’ve reviewed has, but with a line that can have multiple
meanings, it gives it a far greater depth than may appear.
“It was nearing
midnight when one of the new lampposts on Auburn Avenue achieved the
unfortunate fate of being the first to be hit by a car.” – Dark Town by Thomas
Mullen.
What makes it work?
Well, a car accident is always a way to capture interest. Think of the times you’ve been held up in
traffic because of folks rubber necking as they slowly pass by a scene.
Beyond that, we know it’s midnight. It’s fairly safe to say this wasn’t someone
returning home from buying eggs and milk at the grocery store at that
hour. We’re not on a nameless street
somewhere – we’re on Auburn Avenue. It
may not conjure up a strong image, but using the proper name of the street
helps to anchor it. Along the same lines
of “he was eating ice cream” vs. “he was eating pistachio ice cream” – that one
extra word helps you see it a bit more clearly and make a more personal
connection.
We are halfway through the list, readers! Let's take some time to digest what we've covered so far and we'll reconvene next Monday as we bring this topic to a close.